Mysterious Chemistry
I’ve been writing since someone handed me a
crayon. My first fully illustrated story was about a mermaid who wanted to have
a baby. Her mother said, “You can’t make a baby by yourself, dear.” She
replied, “Oh yes I can!” and immediately became pregnant and gave birth to a little
mermaid. Ironically, as I grew up, I told everyone I was never going to have
children. I was going to be a writer and give birth to books instead. It’s a drive I was born with and remain possessed by even
though it’s usually meant living on the financial edge.
I write to learn.
The act of writing awakens and engages a part of my brain that is normally
dormant. I’m smarter, wiser, deeper and more eloquent
when I’m writing than when I’m merely talking or thinking. I’m
fascinated by the way metaphors and similes reveal the connection between my subjective
emotions and external reality, between my inner life and the sensual world.
When I’m truly inspired—when I’m in “the zone” all writers I’ve spoken to are
familiar with to different degrees—my sense of controlling the flow of words
transforms into a sensation akin to discovering something which is already
there, I’m simply working to unearth it, like a miner deep in the cavern of my
brain wresting gems of beauty and meaning from their subconscious hiding places.
Mysteriously enough, I feel educated by my own work. Really
good writing, whether it be mine or someone else’s (no honest writer is
modest) deepens my innate faith in life’s transcendent nature. Even the most
painful experiences abound with wonder when I write about them.
When I was
researching my novel about Hatshepsut, the female pharaoh, I had no idea how to
begin writing the story of her life; how to piece
together all the available evidence to date and fill in the many blanks. Then I
sat down at my desk and the mysterious chemical alchemy that takes place in my
brain whenever I make the conscious decision to begin writing transformed my
laptop screen into a portal through which I dove into a world that immediately
began coming alive beneath my fingertips. The pace was sluggish at first—I had
to make an effort to row myself into ancient
I write like I bleed. When feelings cut me deeply
the life-filled cells of words flow out of me. Books written by other
writers have always helped sustain my heart and soul like paranormal
transfusions. Give blood, save lives. Write superbly, ignite souls.
I write to expand
the literal borders of my life by unearthing the profound dimensions concealed
in my day-to-day experiences.
I write to relish
the excitement of the unknown—a blank screen’s seemingly
infinite possibilities. The lives and fates of my characters rest entirely in
my hands and yet I lose myself in them and am surprised, constantly enthralled,
by where they lead me, as though my imagination is a fourth dimension where
they actually live. I write to defy time and space and to claim the power my
conscious spirit possesses over them. As Hatshepsut would have said, I write to
“emulate divine creativity.”
When I was a teenager I was struck by how Anais
Nin replied when someone asked her why she wrote. “I
write to breathe,” she told the reporter. Asked the same question, I invariably
quoted Anaïs but (obviously) this contest motivated
me to explore my reply in more detail. Writing is how my soul breathes while exhaling
hope and wonder, love and desire, every feeling that defines me as a human
being. Sentences and the words composing them are like branches and leaves
growing out of my heart. Selfishly, I offer the emotional oxygen of my unique being
to others and—as trees feed off our every breath—the pleasure they take in my
work fulfills me like nothing else, inspiring me to continue growing as a person
and a writer.